Apple Patents Super Mega On the Fly Copyright Infringement Blocker

Ok. That’s not what they call it. But that is essentially what it is.

Apple patented technology that allows venue owners to use an infrared device that would interact with the iPhone camera and stop people from recording or taking photos.

It’s easy to see who would want this. Adele, that’s who. She seems like she would be the first in line to stop people from bootlegging her concerts.

Instead of using the DMCA to police YouTube, Vimeo, and such sites after the fact, this would enable Adele to belt out “Hello” and block it from being recorded at the outset.

With the rise of live streaming apps like Periscope, you could see how a copyright owner would want this even more. These apps make it possible for someone – anyone – to livestream a concert to thousands who didn’t bother to buy a ticket. This technology could conceivably stop that.

There are serious concerns, though. It’s not hard to imagine situations where such technology would be used on behalf of the dark side. Blocking the bootlegging of copyrighted music or video is one thing. Blocking phones from recording a protest is another. And it’s not hard to imagine police departments having mobile infrared devices to stop people from recording encounters with citizens. That’s just in the United States. Putin would probably put one on every street corner in Russia.

The second issue, of course, is safety. The same device that blocks us from live streaming that Led Zeppelin tribute band would also block concert goers from sending photos and video to police should a catastrophe or terrorist attack happen. And what about apps that use the camera, like barcode scanners or translators?

Finally, and I suspect Apple knows this deep inside their little hearts, blocking the camera would be a sure way to get droves of people to buy Droids. In order for this technology to work, it would have to be universal. The only way to make it universal would be to pass a law requiring all cell phones to have the technology.

Some of these issues could be solved with legislation and/or court cases, in the ongoing march of technology and free speech.

It’s an intriguing idea, one that probably pleases copyright owners from Lin-Manuel Miranda on Broadway to Taylor Swift playing the Hollywood Bowl. Protecting your work at the outset makes sense instead of playing whack a mole after the fact, but we’ll see if it sees the light of day or languishes at the PTO with Apple’s other red headed stepchild patents.

Read more, including Forbes raising the issue of securing secret places from spies with this technology.

Photo: Manel Torralba/Flickr Creative Commons

It all Started with a Story

It all started with a story. I come from a long line of storytellers, my father telling the one about how he convinced his buddies Bigfoot was lurking in the high Sierras in the 1960s, my grandmother telling the one about my aunt vomiting all over the posh Claremont Hotel in front of  horrified society folks, my grandfather twisting gnarled fingers around his cane as he recounted his battle on WWII Peleleiu.

Some of the stories are true as a halftrack on the coral beach. Some grow like cloud castles from just a small grain of truth.

We do it in our own family, telling and retelling stories, sitting around the table, in the car, in front of friends. The time my husband was jailed in Peru (he got out), the time the house got struck by lightning (on our anniversary, no less!), the time the Dali Lama petted my husband’s cheek (he was quirky).

We love stories of others too: the books that inspire (Les Miserables) and amuse (Carry On, Jeeves); the movies that shine light (The Tree of Life) or help us through hard days (Galaxy Quest), the songs that excite (Hamilton’s The World Turned Upside Down) or soar (anything by Whitney Houston!).

As a television and movie critic, I am increasingly amazed at the passion, talent, earned skill, and old fashioned hard work that goes into making stories in the modern era. It takes decades of training, not to mention significant financial investment, to become a filmmaker, a photographer, a songwriter, a screenwriter, a graphic artist, a creator. I have come to deeply respect those who make art and/or entertainment. It’s not easy.

They tell our stories.

Stories can be shared. “You’ll never guess what happened to my aunt’s friend’s cousin!” They can be recommended. “Seriously. Watch ‘No Country for Old Men.'” But it just feels wrong if they are taken.

The Dali Lama petted my husband’s cheek, not someone else’s. Jean Valjean came out of the imagination of Victor Hugo, not some schmuck at a Starbucks.

I think this is why copyright matters to me. There is an integrity to it. An honesty to owning your own work, your own art, your own story, against all the world.

Sure there are nuances and edges to that right, and that’s where the fun comes in.

I’m Rebecca Cusey. I am a third year law student at Antonin Scalia Law School at George Mason, a writer, a lover of art, and a person fascinated with how the law intersects with that. I’ll be blogging here thanks to the good people at the Copyright Alliance. Here we go.